Written and illustrated in 1941 by Letitia Fairbanks, the niece of silent film stars Douglas Fairbanks Sr. and Mary Pickford, the seemingly traditional children’s book is transformed into a modern-day fairy tale that will captivate child and adult readers alike.
Letitia was inspired to create portraiture for the characters of Princess April Morning-Gloryfrom film stars of the day. John Barrymore, and Letitia's cousin Douglas Fairbanks Jr., provided glamorous inspiration through their then-current films. The Wicked King's (Barrymore) costume was sparked by his role as Louis XV in Irving Thalberg's 1938 Marie Antoinette, while the hairstyle resembles his eponymous role in Archie Mayo's 1931 Svengali. Prince Chivalry was inspired by her cousin's (Fairbanks) sword-fighting role in David O. Selznick's 1937 The Prisoner of Zenda.
Viewed as unconventional when it first debuted – up until then, no one had thought to meld a Disney-like moral tale with a swashbuckling adventure – the story centers on the prescient acknowledgment that we create our destinies by the choices that we make.
The main narrative is focused around the brave and courageous Princess April who must first transcend darkness and evil before she can realize her true potential. Intrigued by the Great World and its sense of adventure, a young Princess April decides to abandon the familiarity of her home in Fairyland and undertake a voyage into the unknown. Once outside the Enchanted Forest, she finds comfort and friendship in the company of various creatures who ensure her safe passage.
But returning home proves more difficult than at first she realized. In order to go back to Fairyland, a friendly wizard informs Princess April that she must first accomplish three good deeds. Can Princess April resist the temptation of darker forces and summon enough courage to continue doing good deeds? And if she dares to hold true to herself, will it someday lead her back home again?
Princess April Morning-Glory is a beautiful children's story about a fairy princess who must do three good deeds in order to get back to Fairyland. The book is full of action, and provides a good moral lesson for children. Princess April is courageous, even when she is afraid. This is a story I will read to my kids again and again. The calligraphy and art work inn this book is very detailed and it's simply gorgeous. A must read for all little girls and any fans of fairy lore.
About Letitia Fairbanks:
Letitia Fairbanks, the niece of Douglas Fairbanks Sr. and Mary Pickford, lived a life guided by artistic passions. In 1939, wanting to commemorate her late uncle, Letitia began work on Princess April Morning-Glory, allowing a creative outlet for combining her lifelong loves: painting, writing, and illustration.
Holding firm to her artistic identify, Letitia gravitated toward portraiture, landscapes, and still-lifes. She was also a biographer, co-authoring Douglas Fairbanks: The Fourth Musketeer, with Ralph Hancock. Her marriage to Hal Smoot in 1966 marked the beginning of a particularly joyful and creative period. Needle points and annual Christmas cards, which featured a painting from the previous year, not to mention her role as a wife, mother, step-mother and grandmother brought her much fulfillment. After a life rich in artistic accomplishment, Letitia passed away in September of 1992.
Kelley Smoot Garrett was born in Dallas, raised in Manhattan and has lived the life of a West Texas wildcatter as well that of an IT professional. At one time or another in her life she’s called places as diverse as Scourie, Scotland; Austin, Abilene and Midland, Texas; Singapore; Paris; and Auckland, New Zealand— home. She is proud to be the daughter of Sue Ashby and Harold Smoot and the step-daughter of Letitia Fairbanks Smoot. She currently lives with her husband Danny Garrett, three cats, and one happy only-dog, Moxie in the Texas Hill Country.
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Princess April Morning-Glory Tour Page:
My life with Letitia Fairbanks Smoot
My name is Kelley Smoot Garrett and I was Letitia Fairbanks' stepdaughter.
My father, Harold (“Hal”) Nibley Smoot, grandson of Senator Reed Smoot (R. Utah, 1903-1933), first met Letitia in about 1938. Fate played a hand in having my father be the stand-in for his sick brother, resulting in his escorting Letitia to a ball in Salt Lake City, where she'd journeyed to be with her maternal grandparents. My father in his Randolf-Macon Academy uniform cut a striking figure at 6'4” and charmed Letitia, seven years his senior. This very pertinent age difference was unknown to me until the late 1980s, after my father died. Only then was Letitia forced to reveal that information, and be traitor to the ingrained Hollywood maxim, “A woman who'd tell her age would tell anything!” due to the persistent inquiries of a hospital admitting nurse, who demanded answers to such impertinent questions. “If only Hal were still were alive! He'd have handled this quietly, and no one would ever have been the wiser, and certainly not the child,” (me.) But discover this, and many other pertinent facts about Letitia's life, was to be my destiny: decoding the mystery creation of“Princess April Morning-Glory” these last 20 years, since Letitia's death.
Following my parents' divorce in Dallas in 1963, my father returned to Southern California where he'd previously worked as an oil & gas land man. It proved propitiously timed on several accounts: he was an originator and original participant in Union Oil's dramatic 1966 discovery of the Whittier Field. It also allowed him to meet back up with Letitia.
After a year+ long courtship, where my sister Carey and I were brought out to Southern California to meet Letitia during our summer holidays, my Dad proposed, an engagement ring selected, and they were married. Dad & Tish did end up eloping (due to Letitia's mother's continuing objection to anyone her daughter selected as a potential fiancé) and were married in a private ceremony in San Francisco on 25 November 1966. After their return to LA, a reception in their honor was hosted by Letitia's sister Lucile Fairbanks Crump, attended by their cousin Douglas Fairbanks, Jr. and dearly loved family friend and former actress Mary Brian, among others.
Letitia (center) with Douglas Jr (right) at my father's and stepmother's wedding reception, Dec. 1966. Man at extreme left with back to camera is believed to be Letitia's brother-in-law Owen Crump. Unknown woman in coral-colored dress next to Letitia.
Letitia (l) and my father (c) greeting Mary Brian (r) at their wedding reception, Dec. 1966.
These photos were in my father& stepmother's wedding album, that was always kept in the living room of whatever house they lived in and set the tone for much of Dad & Tish's manner of living: fabulously decorated, elaborate, first-rate cuisine, well-dressed and thoroughly enjoyable.
Once they were married, Carey and I stayed in their house in North Hollywood. This was my introduction to the world that created “Princess April Morning-Glory.” On Saturday afternoons the house filled with the sound of music – not much different when I was home with my mother, who primarily raised me and with whom I spent the majority of my childhood & adolescence – but the choice of music! No longer did Mozart & Beethoven fill the air, but the“modern” classical sounds of Erich Wolfgang Korngold and his sweeping orchestral scores were the background music to those holiday visits. Severely damaged in the LA earthquake of 1971, the house was sold and Dad & Tish moved to Dallas in 1972. Letitia often said the day of the earthquake she decided to begin the habit of rising very early in the morning, so she could get more done, earlier in the day. She took the earthquake as personal assurance that sleeping in would be forgiven by the Almighty, as getting up early clearly hadn't worked as anticipated. She was never a morning person from that point onward.
After my father died, Letitia told me that the years she & my father lived in Dallas (1972 – 1982) were among the happiest of her life as she had finally escaped the confines of her family and the Hollywood social hierarchy into which she'd been born. Her description of it was akin to the saying, “A caged bird doesn't know it's caged, until it is set free.”
And once set free, did that formerly-caged bird sing! The paintings, illustrations and needlework that Letitia created during her years in Dallas are exquisite in detail, and prodigious in quantity while rich in high-quality imagery. Family & friends breathlessly awaited the year's Christmas card from the Smoots: an 8” x 10”glossy photo print mounted on an even larger sized card, and signed by Hal & Letitia. A true Hollywood production, Letitia planned for these cards beginning in July, and as a child and then adolescent, this type of project was something I was always interested in, and would go with her to the photographer's and listen as she discussed how the painting's colors would be better captured if the light were adjusted thus, and the matting and presentation should be altered to a different width, etc. Much of what I learned about art production, I absorbed without being fully conscious from participation in projects with Letitia. My husband has been a marvelous second teacher, re-enforcing the same time-honored principles of classic design & styling, favored by Letitia.
In 1982, Dad & Tish moved to Salt Lake City, a place that had been important to both of their families historically, and to which they both had fond memories and family; in short, the perfect retirement setting. And close to good hospitals, as my father had already been diagnosed and treated for lung cancer, although it was prostate cancer of which he would eventually die, in Salt Lake City, 2 November 1988.
On the night of the 1stNovember, Letitia had called me, the first time in our then 22 year shared history she had initiated a call to me; from that alone, I knew my father's end was near. The next morning I caught the 6am flight from Midland, TX to SLC; A taxi took me from the airport to their house on East 2nd Street. The driver had already pulled away when I realized that no one was home, so I stowed my bag on the back porch, and ran till I was too tired, then walked as quickly as possible up the hill to the hospital.
The scene that greeted me was something out of a Hollywood movie: my stepmother was crying – marking the 2ndtime in less than 24 hours, another event had occurred for the first time in my life. My father was not conscious but clearly not comfortable, and a nurse trying to figure out what to say or do next. Letitia looked up and exclaimed,“Oh, you are just like General Custer and his cavalry, riding to my rescue!” I thought, “Where in the world did that image come from?” In 2009 when I watched “They Died With Their Boots On” I was reminded of this episode. Another clue fell into place.
Letitia spent the next four years of her life in Salt Lake City, making a final visit to Southern California, to see her son Robert, his wife Judy, and her beloved grandchildren Bryan and Amanda one last time.
I was living and working in Singapore and received news there that Letitia had died the day before. I had spoken to her last about 2 weeks before her death. She was lucid but tired, as always concerned for her son Robert, and her grandchildren. We talked at length about how things that cannot be changed must be accepted, and how she felt that always lead to growth – a requisite for life.
She painted until her death. This is her last painting, found on the easel in her back-porch studio that overlooked the valley: an oil on canvas, not quite finished, still with room for growth.